TheSPIS
TheSPIS – Theaters, Sanctuaries, Performance:
Interaction and Sustainability
Graeco-Roman theatrical culture is composed of diverse oral, written, pictorial and material components that are interlinked in multiple ways to form an intricate network. A basic characteristic was that most theatre performances were embedded in religious festivals and sanctuary structures, thus interconnecting theatre and sanctuary premises and activities.
The interaction between buildings and the immaterial elements of ancient theatrical culture persists and today is repeated in the experience of theatrical spectacles performed in the archaeological sites of several places in Europe as well as in other Mediterranean areas. This theatrical heritage has not just historical and cultural importance but also shows social relevance for current societies. It is part of a shared cultural heritage and culture to be intended as a basis for individual and social promotion, a primary right, and a shared property by current and future individuals and communities.
The multi-faceted topic of Graeco-Roman theatrical culture requires researchers and professionals capable of combining an in-depth knowledge in archaeology, history, art, religion, and conservation sciences, with openminded attitudes and a strong inclination toward interdisciplinarity. TheSPIS addresses this need, aiming not only to drive the development of new steps in research, but also to contribute, through an interdisciplinary training, to outline sustainable models of fruition and enhancement of the theatrical heritage.
